Performance
Canada—Theatre (2004-Present)
| Production | Company | Director |
| Up to Low | National Arts Centre | Janet Irwin |
| A Christmas Carol | National Arts Centre | Jillian Keiley |
| Love’s Labour’s Lost | National Arts Centre | Marti Maraden |
| The Virgin Trial | Great Canadian Theatre Co | Eric Coates |
| Particle | 100 Watt Productions | Martha Ross |
| God of Carnage | Third Wall Theatre | Ross Manson |
| Medea | Magnetic North Festival | Janet Irwin |
| Picking Up Chekhov | On the Verge/Magnetic North | DD Kugler |
| Angel Square | Great Canadian Theatre Co | Janet Irwin |
| Generous | Great Canadian Theatre Co | Eric Coates |
| The Tempest | St. Lawrence Shakespeare | Kevin Orr |
| Ashes To Ashes | Unicorn Theatre | James Richardson |
| The Dumb Waiter | Third Wall Theatre | Todd Duckworth |
| Extremely Short Play Festival | New Theatre of Ottawa | John Koengsen |
| The Optimists | Great Canadian Theatre Co | Charles McFarland |
| Blackbird | Third Wall Theatre | Mary Ellis |
| Top Girls | Third Wall Theatre | Charles McFarland |
| Antigone | Third Wall Theatre | James Richardson |
| Look Back in Anger | Third Wall Theatre | Kevin Orr |
| As You Like It | Third Wall Theatre | Charles McFarland |
| Old Times | Third Wall Theatre | James Richardson |
| Three Sisters | Drama Guild | Peter Froelich |
| The Women Come and Go… | 100 Watt Productions | James Richardson |
| Talking With.. | CanPlay Productions | Janet Irwin |
| Woyzeck’s Head | Third Wall Theatre | James Richardson |
New York—Theatre (1994-2001)
| Production | Company | Director |
| Cymbeline | Looking Glass Theatre | Justine Lambert |
| Three Sisters | Looking Glass Theatre | Justine Lambert |
| Vassa Zhelezonova | Theatre By The Blind | Ike Schambelan |
| Blinks | The Vineyard Theatre | Ike Schambelan |
Regional Theatre, U.S.A (1991-2001)
| Production | Company | Director |
| The Glass Menagerie | Shadowland Theatre | Bill Lelbach |
| A Shayna Maidel | Shadowland Theatre | Bob Miller |
| Death of a Salesman with Eva Marie Saint, Judd Hirsch | Playmakers Repertory Theatre, North Carolina (Company Member for three seasons) | Jeffery Hayden |
| The Little Foxes | Playmakers Repertory Theatre | Stephen Stout |
| Beauty and the Beast | Playmakers Repertory Theatre | Michael Wilson |
| A Winter’s Tale | Playmakers Repertory Theatre | Charles Newell |
| Some Americans Abroad | Playmakers Repertory Theatre | Evan Yionoulis |
Film/TV/digital (1996-ongoing)
| Show | Role Status | Company |
| One Life to Live | Recurring | ABC TV |
| Bull Durham | Principal | Orion Pictures |
| Rescue 911 | Principal | CBS TV |
| MTV Comedy Shorts | Principal | MTV/VH1 Fashion |
| Lifetime Channel College | Principal | Lifetime TV |
Direction and Play Creation
| STUFF | Director, Co Creator; 100 Watt Productions | Great Canadian Theatre Company (2024) |
| Irresistible Neighbourhoods Volume 1 | Director of Aquatic Lessons by Lily Polowin | National Arts Centre (2024) |
| 12 | Director, Co Creator; 100 Watt Productions | GCTC (2023), Ottawa Children’s Festival (2022) |
| The Supine Cobbler | Directing Assistant to Emily Pearlman | Great Canadian Theatre Company (2023) |
Training:
Training
MFA Professional Actor’s Training Program (1995), *Highest Honors, UNC-Chapel Hill, N. Carolina BA, Phi Beta Kappa, Phi Eta Sigma, *Highest Honors in Dramatic Arts
European A.C.T/Actors’ Continuous Training—Paris, London and Berlin 2010
Royal Academy of Dramatic Art, London, England—Classical Theatre Intensive (1997)
Central School of Speech and Drama, London, England—Speech/Dialect Intensive (1998)
The Actors’ Center (NYC)—Professional Development, Michael Chekhov Technique, Advanced Scene Study (2014,15,16)
The School of Funny Acting: Christopher Bayes (NYC) (2012)
LUCID BODY: Fay Simpson, NYC (2013)
Alexander Technique: RADA, Trish Baillie—Paris, London (Ongoing)
Internships: The Guthrie Theatre (Minneapolis) (1993), London Contemporary Dance School (U.K.) (1988)
The Lincoln Center, NYC: Leadership & Advocacy for Professional Artists and Teaching Artists (2017)
Volcano Repertory (2018): Peter Hinton, Text Analysis; Sarah Garton Stanley & Marcus Youssef, New Creation
Instructors:
Acting—Ron Van Lieu (Yale), Slava Dolgachev (Moscow Art Theatre), Jane Nichols (Improv, Clown), Cicely Berry (RSC), Jens Roth, David Hammond, Geoffrey Bullen, Scott Williams (Meisner) Paul Thompson, Patrick Tucker, Ray Dooley, David William, Bill Webster
Voice—Nancy Lane, Cecily Berry, Barbara Houseman (RSC), Robert Palmer, Louis Spitzer, Patricia Tedford
Movement, Clown, Dance & Mask— Gulu Monteiro, Craig Turner, Ilan Reichtel, Elena Calvos, Dean Gilmour
Singing—Luba Tcherevsky, Stafford Wing, Richard Hilty
Awards (Wins/Nominations)
PRIX RIDEAU AWARDS
2022: Best Direction: 12
2016: Outstanding Female Performance: Angel Square – WINNER
Outstanding New Creation: Particle
2014: Outstanding Female Performance: God of Carnage
2012: Outstanding Female Performance: Extremely Short Play Festival
2010: Outstanding Female Performance: Blackbird – WINNER
2007: Outstanding Female Performance: Top Girls – WINNER
CAPITAL CRITICS AWARD
2016: Best Actor – Woyzeck’s Head
2011: Best Actor – Antigone
2010: Best Actor – Blackbird
2009: Best Actor – Look Back In Anger
2016: Best Ensemble – Fugee – WINNER
OTHER AWARDS
2023: Best Acting Coach (Ottawa), Faces Magazine
2010: European A.C.T Scholarship –Berlin, Paris, London
2010: COUNCIL FOR THE ARTS IN OTTAWA Mid-Career Artist Award – Finalist
2008: Fulcrum: Top 20 Professors at the University of Ottawa
1987: The Morehead Scholarship (North Carolina) — 4 year complete scholarship + internships and Intensive Study of Theatre (Tanzteater, Political Theatre) Berlin
American Top Academic Honors:
1991: Phi Beta Kappa
1988-89: Phi Eta Sigma
Text CV for Kristina & 100 Watt
If you’d like the pdf of the CV, click on this link here!
From artist Deborah Moore: “I’m so pleased about the watercolour! I don’t know if I had told you this, but I recall that in thinking about the composition of this piece and the character you were playing, the choice of cool shadowy colours were meant to recede somewhat, while I brought out the skin tones to highlight her vulnerability and humanity. I thought your expression was really beautiful from the photo I was working with and I think it comes through here. I also didn’t mix any colours on the palette but allowed the pure pigments to mingle on the paper and run a bit.”
Contact artist Deborah Moore: deborahmoore23@gmail.com
[Photo Credit of Banner Image: Stephanie Godin]
100 Watt 